Trendy storytelling is various. Together with standard oral storytelling, authors get pleasure from many different narrative types and genres whereas depicting the human situation. Stage and display screen performing additionally play a job within the artwork. Nonetheless, even if each film is dependent upon a script, which is, in truth, a sort of a narrative, and that quite a few film administrators typically are former or energetic literary authors, many of the actors should not good at writing.
There are all the time exceptions, although. For instance, actor Viggo Mortensen, who’s an actual international phenomenon in as we speak’s filmmaking enterprise, can also be a proficient poet and photographer. Gene Hackman, one other phenomenal actor, additionally wrote three novels. Likewise, it’s laborious to determine whether or not Woody Allen is a filmmaker or an creator.
As for the Turkish cinema, some well-known actors resembling Cüneyt Arkın, Yılmaz Güney and Fikret Hakan started making motion pictures after makes an attempt to create a fame in literature. All three have been quick fiction writers concerned with the modernist literary actions of the Nineteen Fifties, together with Mavi Hareketi (the Blue Motion), which was initiated by main poet Attila Ilhan, earlier than they turned everlasting stars of Yeşilçam, the nickname of the classical Turkish cinema. Arkın didn’t insist on writing a lot, whereas Güney’s leftist circle has all the time proven their respect to the cult star by republishing his tales. Alternatively, Hakan turned to writing in his senior years and put his signature on a thick quantity of Turkish cinema historical past.
Fikret Hakan was born Bumin Gaffar Çıtanak on April 23, 1934, in western Balıkesir province to a humble middle-class household of public servants. His father Abdullah Gaffar Çıtanak, who used “A. Gaffar Güney” as a pen title, was a trainer and translator, whereas his mom Fatma Belkıs was a nurse at a public hospital. Abdullah Gaffar was a revered character inside the literary circles of the capital Ankara earlier than he left his spouse and son and started to dwell a mysterious life. On the time, some believed he had misplaced his sanity, whereas others steered he had fallen in love with one other girl.
Fikret Hakan lived along with his mom after his dad and mom’ divorce and visited many cities in Anatolia due to his mom’s job. He attended varied faculties within the western provinces of Bursa, Eskişehir and Istanbul, the place he left faculty for good. His real love was for the humanities. He revealed some quick tales and acted at personal theaters in Istanbul on the age of 16.
Hakan revealed his early tales within the Istanbul Ekspres newspaper, whereas his first position was at a small opera staged on the Ses Theater in 1950. He entered the cinema enterprise in 1952 with the movie “Köprüaltı Çocuklar” (“Homeless Boys”). Nonetheless, he made his actual debut with “Beyaz Mendil” (“White Handkerchief”), a movie by main film director Lütfi Akad, in 1955. “Beyaz Mendil” was a romantic movie with a social sensible setting and full of people themes. Hakan performed a courageous younger villager in love with a younger woman from one other village, whereas enmity between the 2 villages results in deadly outcomes.
Revenge of the snakes
Hakan served within the army between 1958 and 1960 earlier than he took the main position in director Metin Erksan’s “Yılanların Öcü” in 1962. “Yılanların Öcü” is taken into account probably the greatest motion pictures of the Turkish cinema historical past. The story of the movie revolves round a dramatic conflict between two households and resistance towards oppression. The movie turned politically standard and helped open a brand new period for Turkish cinema.
Hakan took the main position in one other left-wing political movie two years later, “Karanlıkta Uyananlar” (“Those that Get up at Darkish”), scripted by well-known communist creator Vedat Türkali and directed by Ertem Göreç. The political movie was primarily based on actual occasions. Just like the “Yılanların Öcü,” “Karanlıkta Uyananlar” additionally noticed blended recognition. Some individuals liked the movie, whereas the anti-communist associations closely criticized it saying that it was mere propaganda. From as we speak’s perspective, most critics imagine that the movie was artistically successful of realism in cinema.
Hakan remained one of many heroes of the socio-political cinema of Turkey till his later years, though he additionally took half in varied movie genres together with gangster movies, comedies, et cetera. He performed in additional than 200 movies all through his total profession.
Hakan revealed his early tales along with his later literary works. He wrote the story of his father and in addition revealed a brief assortment of poems. One other fascinating written work by him is a big quantity on Turkish cinema historical past. Hakan taught cinema for some years at Osmangazi College in Eskişehir.
He married a number of instances. His wives have been Lale Sarı, Semiramis Pekkan, who’s the sister of well-known musical diva Ajda Pekkan, Neşecan Paşmak, well-known singer and actress Hümeyra, Fatma Zeynep Mirgün and Tijen Kılıç.
Hakan obtained varied nationwide and worldwide cinema awards. Furthermore, Osmangazi College granted him an honorary doctorate. He was additionally a recipient of the honorary State Artist, a title awarded by the Turkish authorities.
He died on July 11, 2017, in Istanbul.