Riccardo Scamarcio, best possible identified in North The united states for taking part in the Italian crime lord in “John Wick: Bankruptcy 2,” stars as Cesare Fiorio, the executive for Italy’s Workforce Lancia, funded by way of Fiat. They are beneath intense force to win the WRC for the reason that match has at all times been referred to as an excellent method to check after which promote new varieties of vehicles—however handiest when a staff is victorious. Sadly, Workforce Lancia has sat out the remaining two races, and Fiat’s maximum bold competitor, Audi—led by way of Roland Gumpert (Daniel Brühl)—has extra investment and manpower, plus a technological edge: four-wheel power vehicles which might be a really perfect asset within the numerous terrain that WRC drivers go back and forth via. However there is not sufficient time, cash, or technical talent to meet up with the Germans prior to the sequence of races start, so Workforce Lancia has to do the most efficient it could actually with what it has.
Lancia’s major asset—consistent with this movie, anyway—is Fiorio himself. As portrayed by way of Scamarcio, who additionally coproduced and cowrote the film, Fiorio is an intense, stoic obsessive whose existence revolves round profitable. He has a trickster’s instincts, and is just right at devising on-the-spot answers to apparently irresolvable issues, corresponding to partly snow-covered roads (which might have put Lancia’s two-wheel power vehicles at a drawback) or the requirement that automotive producers coming into the WRC have 200 prototype vehicles readily available to qualify (Lancia handiest has 103, and the race is going on the very subsequent day). Fiorio’s answers are inventive sufficient that it will be unsporting to expose them right here. Suffice to mention that he is any such one who reads rulebooks moderately and notices what is forbidden and what is now not discussed.
“Race for Glory” falters in executing the anticipated beats of a racing movie, corresponding to depicting the advent of a staff of quirky however passionate oddballs and serving to us perceive their psychologies. That is what it’s possible you’ll name the low-hanging fruit of style storytelling, from the sports activities image to the heist film, however a lot will get left at the vine right here.
Take the scene the place Fiorio is going searching for retired motive force became beekeeper Walter Röhrl (Volker Bruch) to get him on Workforce Lancia. It is a stunning instance of easy methods to inform audiences what is taking place with out merely telling them what is taking place. The 2 have a complete dialog with out Fiorio in particular asking him to come back out of retirement and sign up for the staff, although they (and we) know that is the actual level of the alternate. However after that, we by no means get a way of whether or not the quietly flamboyant Röhrl (portrayed as kind of a Seventies Robert Redford hotshot) is well worth the sum general of his maddening eccentricities (corresponding to pausing mid-race to have a comfy, long dialog with a farmer). Nor can we get any perception into different ordinary facets of his means, corresponding to his refusal to take part in part of the rallies or his causes for doing one rally however now not any other.