“I’m obsessive about lace,” says Swedish fiber and textile artist Ester Magnusson, who likes to deep-dive into the historical past of garment design. As she ready her portfolio for a residency targeted only on bobbin lace, she conceived of the theory of a human cranium made totally from the dainty material. “When you categorical an hobby in lace, folks pop out of the woodworks to provide you with their grandma’s previous assortment, so I had a large number of thrifted and proficient subject matter to paintings with,” she says.
The ensuing piece is titled “Skör,” which is pronounced like “certain” and interprets to English from Swedish that means “fragile.” Adjoining to Magnusson’s pastime for textiles is a interest about wordplay, particularly puns. “In Swedish, the phrases for ‘a work of weaving’ and ‘tissue (anatomical)’ are each Vävnad, so I used to be bobbing up with concepts for an excessively punny delusion exhibition after I considered the idea that,” the artist says.
Made from a mixture of cotton and linen lace, “Skör” is assembled the usage of cotton thread and picket glue. Tiny stitches attach more than a few strips and shapes, however felt that she wanted so as to add one thing she had created herself. “I had a sense that I used to be simply operating with folks’s fabrics, that the piece wasn’t fairly mine… so I made the tooth through hand,” she says, noting that she crocheted the main points in a scallop trend the usage of a tiny steel hook. As soon as the paintings used to be entire, the artist used picket glue as an alternative to conventional starching brokers like cornflour or sugar glue.
Eager about sustainable manufacturing, Magnusson continues to paintings within the garment business and has not too long ago been experimenting with a tapestry crochet variation of “Skör” that merges the ideas of pixel artwork, anatomical research, and sweaters. Practice her on Instagram for updates.
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