Christoph Niemann On Wit, Distilling an Concept, and How the Web Has Made Us Higher Readers — Colossal



#Christoph Niemann

March 24, 2023

Grace Ebert

A drawing of an egg with legs and arms using a person to flip a frying pan in the air

“Turning The Desk” (2022), from the guide ‘Concept Diary.’ All pictures © Christoph Niemann, shared with permission

The act of drawing, of envisioning an concept and conveying it visually, produces the similar emotions in Christoph Niemann because it did when he used to be a kid. A wildly a success artist, writer, and animator with a willing wit, Niemann reiterates in a brand new interview that “there’s no trick” to creating the inventive procedure more uncomplicated.

It’s in truth more or less comforting that the truth of drawing is that there’s no secret. Maximum artists have doubt. I’ve all the time questioned: is there a secret? Is there one thing I don’t know? Is there a trick that folks must make easier? From what I’ve discovered, there isn’t! What I’m doing as of late is precisely the similar factor, with other gear, with other enter, however precisely the similar factor that I used to be doing when I used to be 12.

In this dialog, Niemann discusses his follow and procedure, how he consumes information and tradition, and the way his openness when experiencing a brand new town or house has modified because the pandemic started. The dialog veers from poetry, distillation, and the aim of artwork to the downsides of pitching and after all, to his profound and enduring love for the common-or-garden act of striking ink on paper.

Learn the interview.


A sketch of a person in orange ink stretched out on a chair with a tangerine for a stomach

“Sunday Cartoon (Tangerine)” (2014), virtual

#Christoph Niemann




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