Artwork
#structure
#artwork historical past
#cubism
#portray
#Patrick Akpojotor
#portraits

“The Gaze” (2021), acrylic on canvas, 48 x 36 inches. All photographs © Patrick Akpojotor, shared with permission
Combining a love for African mask and the folks and structures of his fatherland of Lagos, Nigeria, Patrick Akpojotor (up to now) merges the figurative main points of faces, shoulders, and fingers with the geometric sorts of hallways, doorways, and staircases. “My floor turns into a playground the place paperwork, colors, standpoint, and house involves play and have interaction,” he says in a remark. “The usage of geometry and architectural parts spotlight the affect of the constructed atmosphere in shaping our reminiscences, reviews, and identities on the earth.”
Akpojotor attracts at the artwork historic legacies of Cubist painters who devised some way of breaking apart the image aircraft into “cubes” or fragments to turn more than one facets of an object or determine on the identical time. His compositions make the most of skewed views, distinction, and colour to discover the dynamic courting between interior and exterior human reviews, paralleling the interiors and exteriors of architectural areas and the transformative techniques we transfer between them. He has just lately experimented with sculpture, generating metal sorts of abstracted arches and steps.
Akpojotor is recently getting ready paintings for a solo exhibition at Allouche Gallery in September. To find extra of his paintings on his web site and Instagram.

“Oga boss” (2020), acrylic on canvas, 48 x 36 inches

Left: “Gaze to The Stunning Daylight (i)” (2022), acrylic on canvas, 195.5 x 152.5 centimeters. Proper: “Terracotta wall” (2022), Autobase lined metal, 51 x2 3.5 x 19 centimeters

“Inside Time and House in Historical past (ii)” (2022), acrylic on canvas, 195.5 x 152.5 centimeters

“GIRL WITH RED RIBBON V (Reproduced)” (2022)

Left: “Assembly Level” (2022), Autobase lined metal, 40 x 46 x 25 centimeters. Proper: “Step to The Limitless (iii)” (2022), acrylic on canvas, 122 x 91 centimeters

“Guy of Affect III” (2022), acrylic on canvas, 77 x 60 inches

“Witness to the Occasions II” (2021), acrylic on canvas, 122 x 91.5 centimeters
#structure
#artwork historical past
#cubism
#portray
#Patrick Akpojotor
#portraits
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