Anna Ciba at Fundacja Arton


The just about-emptiness of this exhibition eerily befits an artist who disappeared with no hint in 2018, just about 3 a long time after she stopped making artwork amid struggles with schizophrenia identified within the mid-Nineteen Eighties. Titled “While you glance into my eyes, you notice what?,” the display contains documentation of Ciba’s transient output as a scholar on the Academy of Wonderful Arts in Warsaw from 1982 to 1987, in addition to a handful of pictures of her on the time and two photos taken no longer lengthy ahead of she went lacking. Maximum intriguing is a collection of exhibition photographs displayed within a vitrine: daring, glyphlike marks in black-and-white acrylic on massive sheets hung unfastened in room-sized installations. One {photograph} depicts a sparse composition of angular traces that variously resemble an arrow, a take a look at mark, and a triangular top in opposition to a red background that curator Zuzanna Wilska suspects was once stitched in combination from the purple backside band of a lot of Polish flags.

Wilska argues for Ciba’s function as a key determine in Polish artwork within the Nineteen Eighties, pointing to her participation in primary team displays in Warsaw that encapsulated an emphatic flip to portray right through that decade. Whilst many friends channeled collective exhaustion with each the language of the avant-garde and a restrictive socialist regime into expressive, incessantly absurd figuration comparable to the Neue Wilde, Ciba labored in expanding isolation and cultivated a rather distinctive pared-down and abstracted symbology. As hardly ever any of Ciba’s paintings exists these days (a couple of doodles talented to a pal and exhibited right here endure little resemblance to her portray), the just about vacant exhibition asserts Ciba’s presence by means of making her absence subject material. The paintings of retaining archives, to which the Arton Basis is devoted, every so often has much less to do with filling in gaps than insisting at the holes that unsettle canonized variations of artwork historical past.



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