Juxtapoz Mag – Cristina BanBan: Mujeres @ Skarstedt, NYC


Skarstedt is thrilled to announce our upcoming exhibition, Cristina BanBan: Mujeres. That includes a set of recent paintings, the exhibition marks BanBan’s first display with the gallery for the reason that announcement of her illustration with Skarstedt in April 2022.

Every of the artwork on view are titled both Mujer or Mujeres, Spanish for girl or girls. This phrase will get to the guts of BanBan’s observe, which stays constant in its subject material at the same time as she continues to mature and evolve as a painter. Girls—their our bodies and contradictory feelings—are BanBan’s core matter. Thru their paperwork, she is in a position to clear out her day by day reports and huge array of influences onto the canvas. The result’s a chain of works which might be without delay non-public and common.

The more than a few girls in BanBan’s universe don’t meet the viewer’s gaze, nor do they essentially interact with the ones round them. Whilst this will talk to the pervasive feeling of isolation in our recent society, it additionally underscores the authority and self assurance of those characters. BanBan’s girls go beyond voyeurism as they stand or front room resolute of their energy, belying centuries of preconceived concepts about nude girls in portray. Their nakedness feels intentional, herbal, trendy—they’re attractive however now not sexualized, they usually exist on their very own phrases. The huge scale of each the canvases themselves and the ladies that inhabit their fields of colour are intentional, permitting the figures to envelop the viewer whilst commanding consideration, admire, and admiration. Likewise, the huge palms and eyes so feature of BanBan’s oeuvre evince a stately but intimate presence. Stylistically, those girls have transitioned into classical, virtually sculptural paperwork configured in Renaissance-esque preparations, revealing BanBan’s deep affinity for artwork historical past.

As BanBan’s observe continues to adapt, line and colour have taken on new roles. Charcoal and oil stick were presented into her compositions, a byproduct of her contemporary transition to grease paint. The presence of those fabrics lends a graphic high quality to the artwork, giving audience a glimpse into her procedure and including a way of immediacy. On the identical time, her palette has grew to become in opposition to huge, gestural strokes of earthy tones—sky blues and wealthy browns, mossy vegetables and burnt reds. Whilst those hues flooring the figures in an influence of truth, they’re structured in one of these manner that those girls seem to hover in a second devoid of discernable time and position. As such, the narratives of those artwork turn into an increasing number of open. Those maturations in her observe evoke the paintings of Willem de Kooning, whose refined steadiness of abstraction and figuration, coupled with a modern depiction of the feminine shape, has propelled BanBan in opposition to a newfound liberation of subject material, transcending narrative construction thru a focal point at the natural painterly qualities of line, colour, and shape. It’s this quest to discover find out how to be concurrently summary and referential that defines this new bankruptcy of BanBan’s oeuvre.

Right through the works on view in Mujeres, BanBan comprises her personal visage into her artwork along that of her pals and other folks from her day by day lifestyles as a method of reflecting on her personal non-public reports. On this manner, her artwork serve as as one thing of a diary, and the existing exhibition as a glimpse into BanBan’s inside international. 

Keep tuned for a function on BanBan’s new paintings in our Wintry weather 2023 Quarterly, out past due November 2022. 



Please enter your comment!
Please enter your name here

Share post:


More like this