In Dialog with artist: Polina Miliou –

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Polina Miliou’s sculptures are brimming with heat. They announce themselves with brilliant colors and tough textures, which hide the tables, chairs and practical gadgets nestled inside. Are they sculptures, or are they furnishings?

“I’m at all times curious to look how any person will interpret a work”, the Greek artist muses, “whether or not they’ll imagine it furnishings or one thing extra sculptural.” It’s the interactive component in those practical gadgets that draws Miliou, as she hunts for furnishings to shape the root of her sculptures. “I don’t take a look at to succeed in potency or convenience in my paintings. However I’m more than pleased when, for instance, it feels bizarre to take a seat in!”

In Conversation With: Polina Miliou
Ophelia, © Georges Fakianakis
In Conversation With: Polina Miliou
Magalitsa, © Georges Fakianakis

For Miliou, who educated as an architect sooner than moving her focal point to smaller gadgets, this interactivity is important. “Sculpture was once in some way a response to my earlier paintings in structure,” she explains, mentioning artwork as a liberation from the parameters of structure’s ingenious procedure, and the “months or years it takes to look what you’ve created.” After 4 years of operating inside those parameters, Miliou felt an “internal urge to show against the size of the frame,” and against one thing she may just keep watch over together with her personal fingers. 

Operating with practical gadgets felt like a excellent position to start out. Their proximity to our our bodies, how we contact them, how we’d like them. The intimacy of the on a regular basis impressed Miliou to create characters that percentage in those moments, combining disused furnishings and papier-mâché that she mixes the use of paper, pigment and no matter fabrics she has handy. Miliou spends time with each and every piece, including or doing away with portions to magnify or disrupt the discovered object. “In each and every one I discover a device of intervention, like an set of rules that I follow to curve the prevailing personality,” she says. Miliou describes how each and every reduce and addition “unearths a brand new frame,” reshaping the way forward for one thing up to now unloved. 

In Conversation With: Polina Miliou
Our Mutual Destruction, © Polina Miliou

There’s an ode to Fernando Botero in those reshapings, as Miliou loves the steadiness of humour and politics in his voluminous art work. She’s additionally influenced through Katie Stout’s manner – “how she doesn’t take herself too severely” – through Zsófia Keresztes’ worldbuilding and through Ahmed Morsi, “for the nostalgia, in addition to the awkward means he depicts his figures.” However even with an architect’s eye and a melange of influences, inspiration every so often hesitates, and Miliou has to withstand the will to “freeze and have a look at the piece for days, in addition to annoy other folks about it at all times!” What is helping is to do the very first thing that involves thoughts. “It is probably not the suitable transfer, however it is going to indubitably alternate my viewpoint and spark concepts,” she tells me. 

Miliou’s fresh solo display on the Carwan Gallery in Athens was once indisputably evidence of this – named Kyklos, after the traditional Greek phrase for circle and sky, this exhibition featured conventional furnishings remodeled into sculptures in the entire sun shades of the Cycladic sky, from break of day to sundown. They marked “a extra affectionate and intimate course” for Miliou, who’s now operating on her subsequent venture. “I’m growing a selection of gadgets the place each and every piece can be a collage of discovered furnishings, with two or extra purposes,” she enthuses. Because the solar units on Kyklos, it seems like extra completely satisfied experiments are already at the horizon. 

In Conversation With: Polina Miliou
Kyklos exhibition view, © Georges Fakianakis
In Conversation With: Polina Miliou
Kyklos exhibition view, © Georges Fakianakis
In Conversation With: Polina Miliou
Portrait, © Polina Miliou



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